129,45 €
152,29 €
-15% su kodu: ENG15
16 Ways of Looking at a Photograph
129,45 € 
- Išsiųsime per 10–14 d.d.
Featuring an accessible and engaging writing style, 16 Ways of Looking at a Photograph: Contemporary Theories explores key concepts that have shaped the interpretation of photography and photography itself. It begins with two important inventions--the development of the photographic negative and the capability to produce multiple prints--and then considers various theories from the nineteenth, twentieth, and twenty-first centuries. The book concludes with an excursion into "post-photography" th…
129.45
2025-08-04 23:59:00
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- Autorius: Claire Raymond
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190646233
- ISBN-13: 9780190646233
- Formatas: 18.8 x 23.1 x 1 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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Aprašymas
Featuring an accessible and engaging writing style, 16 Ways of Looking at a Photograph: Contemporary Theories explores key concepts that have shaped the interpretation of photography and photography itself. It begins with two important inventions--the development of the photographic negative and the capability to produce multiple prints--and then considers various theories from the nineteenth, twentieth, and twenty-first centuries. The book concludes with an excursion into "post-photography" theory: the argument that in the digital era, photography as such is altered.EXTRA 15 % nuolaida su kodu: ENG15
129,45 €
152,29 €
Išsiųsime per 10–14 d.d.
Akcija baigiasi už 6d.20:06:51
Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Claire Raymond
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190646233
- ISBN-13: 9780190646233
- Formatas: 18.8 x 23.1 x 1 cm, minkšti viršeliai
- Kalba: Anglų
Featuring an accessible and engaging writing style, 16 Ways of Looking at a Photograph: Contemporary Theories explores key concepts that have shaped the interpretation of photography and photography itself. It begins with two important inventions--the development of the photographic negative and the capability to produce multiple prints--and then considers various theories from the nineteenth, twentieth, and twenty-first centuries. The book concludes with an excursion into "post-photography" theory: the argument that in the digital era, photography as such is altered.
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